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RED Epic at IBC 2010

RED Epic at IBC 2010

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FilmLive once again spoke to Ted Schilowitz of RED Digital Cinema, this time about the all new RED EPIC camera! At IBC 2010

The name is not an overstatement. The much anticipated addition to the RED family is the answer to the professional’s wildest dreams and exists as the most sophisticated and capable camera ever engineered and built.

In a package one third the size of a RED ONE, resides a 5K Mysterium-X™ sensor and a 27 layer ASIC, the most advanced processor of its type in the world, enabling EPIC to capture up to 120 frames per second, each frame at full 14MP resolution.

EPIC is engineered to be a DSMC™ (Digital Still & Motion Camera), a camera that excels in both worlds … by design.

Providing native dynamic range of over 13 stops and resolution that exceeds 35 mm motion picture film, this is the camera of the epoch. Add to that RED’s newly developed HDRx™ extended dynamic range technology and EPIC boasts an amazing dynamic range of up to 18 stops.

Purpose-built for perfect multi-camera synchronization, EPIC comes to market at a time when 3D capture requires the sophistication of a new generation of innovative technology. EPIC, very simply, is epic.

Find out more at red.com/​products/​epic

About The Author

Ben McNeill

Founder of NEXI TV, Producer of Film Live, Sound Check & Founders. Bit of a geek.

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